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Apple TV Plus’ The Mosquito Coast is a hollow drama with strong performances
Much like its apathetic protagonist Allie Fox (Justin Theroux), Apple TV+ drama The Mosquito Coastis often vain because it doesn’t have the substance to back up its prestige. The thriller is beautifully shot and performed, but in terms of meaningful content or stories, it rings hollow. The series is loosely inspired by Paul Theroux’s (yes, Justin’s uncle) 1981 novel of the same name, but it distinctly veers away from its source material. In the book, disgusted by American capitalism and culture, Allie strives to move his family to Central America’s eponymous Mosquito Coast. The show’s Allie is also a conceited, genius inventor who forces his wife and kids to escape, this time to Mexico, because the government is after him. The Mosquito Coast is only interested in following their arduous journey without ever really divulging any insights into the actions of Allie and his wife Margot (Melissa George).
Apple TV+ Watch Guide | The Mosquito Coast
The creative choice to provide little to no backstory severely dulls the show’s impact. The Mosquito Coast remains just a surface-level, sepia-toned thriller about a family on the run, mostly to coax the vanity of its patriarch. Allie’s massive ego is essentially like a fifth family member, along with Margot and their two teen children, Dina (Logan Polish) and Charlie (Gabriel Bateman). The swift pace of the drama helps build some suspenseful momentum as the Foxes deftly navigate the challenges they face on the road, of which there are plenty. The compelling performances, especially by Theroux and Polish, help sell the urgency of their situation despite the series never clearly illustrating what they’re fleeing from or why.
When the show begins, the family is living on an isolated farm in Stockton, California, and Allie is occupied by his newest contraption that turns fire into ice. The kids are homeschooled and are not allowed to use any form of technology. It’s immediately obvious that Allie and Margot are in hiding, but their brood doesn’t realize it. Dina is suspicious, while Charlie worships his father and goes along with his unconventional teaching methods. By the end of hour one, The Mosquito Coast upends the family’s status quo and puts them on the run because they’ve been discovered. This kicks off a promising arc, but over the next six episodes, repetitive plotting manages to turn their physical obstacles and personal dynamics into laborious viewing. How many times can the Fox family narrowly escape disaster before it borders on downright inconceivable?